Gloria Shayne Sheet Music

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Do You Hear What I Hear
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Do You Hear What I Hear - Solo Flute
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Do You Hear What I Hear - Solo Bb Clarinet
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Do You Hear What I Hear - Solo Violin
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Do You Hear What I Hear - Full Score
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Do You Hear What I Hear - Violin 1

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Do You Hear What I Hear - Violin 3 (Viola Treble Clef)
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Do You Hear What I Hear - Solo Eb Alto Saxophone

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Do You Hear What I Hear - Piano
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Do You Hear What I Hear - Mallet Percussion
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Do You Hear What I Hear
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Do You Hear What I Hear

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Medley: Carol Of The Bells with Do You Hear What I Hear
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Medley: Carol Of The Bells with Do You Hear What I Hear - Score Only

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Do You Hear What I Hear
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Do You Hear What I Hear
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Do You Hear What I Hear - Solo Bb Trumpet
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Do You Hear What I Hear

About Gloria Shayne

Gloria Shayne Baker (1923-2008) was a prolific American composer and songwriter, celebrated for her contributions to popular music and her enduring Christmas classic. Her musical style blended heartfelt melodies with poignant lyrics, often achieving widespread commercial success across various genres, including pop standards and holiday music. Shayne's significance lies in her ability to craft memorable tunes that resonated with audiences, leaving an indelible mark on the American songbook.

Gloria Shayne co-wrote the beloved Christmas carol "Do You Hear What I Hear?" in October 1962 with her then-husband, Noël Regney, as a plea for peace during the Cuban Missile Crisis.
While she typically composed the lyrics for their collaborations, for "Do You Hear What I Hear?", Shayne composed the music, and Regney wrote the lyrics.
Shayne also achieved success with other popular songs, including "Goodbye Cruel World," a hit for James Darren in 1961, and "Almost There," recorded by Andy Williams in 1964.
Before her widespread songwriting success, Shayne began her career as a pianist and arranger in New York City, working for notable composers such as Stephen Sondheim and Irving Berlin.

Gloria Shayne's sheet music offers a delightful and rewarding experience for musicians of various skill levels and instruments. Her compositions, particularly her iconic holiday tunes and pop standards, are widely arranged for piano, voice, choir, and instrumental ensembles, making them accessible to beginners and seasoned performers alike. Playing her music is rewarding due to its timeless melodic appeal, emotional depth, and the sheer joy of performing songs that have become cherished parts of popular culture and seasonal celebrations.