17409737
Terra tremuit
17409737
17409737
17409737
Copyright Material for Preview Only - Sheet Music Plus
Soli SATB, Coro SATB, 2 Ctr, Timp, [3 Trb], 2 Vl, Bc
SKU: CA.2711000
Offertory for the Easter Sunday. Composed by Johann Ernst Eberlin. Edited by Armin Kircher. Arranged by Paul Horn. This edition: Paperbound. Sacred music from Salzburg. Genres / texts frequently set to music: Sacred vocal music. Sacred vocal music, Easter and Eastertide. Full score. 28 pages. Duration 4 minutes. Carus Verlag #CV 27.110/00. Published by Carus Verlag (CA.2711000).
ISBN 9790007087777. 8.27 x 11.69 inches. Key: C major. Language: Latin.
Eberlin’s programmatic setting of the offertory "Terra tremuit" was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 (Vulgata 75), with their vivid description of the earth trembling and falling silent are Eberlin’s basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word "tremuit". The Resurrection is depicted musically by ascending figures at the words "dum resurgere". An Alleluia concludes the work.
Soli SATB, Coro SATB, 2 Ctr, Timp, [3 Trb], 2 Vl, Bc
SKU: CA.2711000
Offertory for the Easter Sunday. Composed by Johann Ernst Eberlin. Edited by Armin Kircher. Arranged by Paul Horn. This edition: Paperbound. Sacred music from Salzburg. Genres / texts frequently set to music: Sacred vocal music. Sacred vocal music, Easter and Eastertide. Full score. 28 pages. Duration 4 minutes. Carus Verlag #CV 27.110/00. Published by Carus Verlag (CA.2711000).
ISBN 9790007087777. 8.27 x 11.69 inches. Key: C major. Language: Latin.
Eberlin’s programmatic setting of the offertory "Terra tremuit" was written for the festive liturgy of Easter Sunday at Salzburg Cathedral, which in the 17th and 18th centuries was a center of the cultivation of the polyphonic offertory. Verses 9 and 10 of Psalm 76 (Vulgata 75), with their vivid description of the earth trembling and falling silent are Eberlin’s basis for the offertory. Eberlin depicts the earthquake by means of a written-out tremolo of the strings, and by staccato singing of the syllables of the word "tremuit". The Resurrection is depicted musically by ascending figures at the words "dum resurgere". An Alleluia concludes the work.
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