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Arranged by William Barks-Dale. African American Church Music Series. Sacred. Octavo. 8 pages. GIA Publications #6318. Published by GIA Publications (GI.G-6318).
UPC: 785147631804. English. Text Source: Negro Spiritual, vs. 1: John Newton, 1725&ndash,1807, first stanza of ",Amazing Grace&rdquo.
This Negro spiritual that says "I've come too far and I can't turn back" is scored for soprano and baritone solos with solid choral harmonies. Choirs love to sing spirituals, and this one will be no exception. Assurance is the theme of this spiritual, expertly arranged for SATB choir with soloists. This piece is easy to learn, and a vigorous, accented performance will convey a sense of determination to the listener. The unison phrases in the final verse, followed by soprano divisi, are an exciting finish to this fine arrangement.
Scored for soprano and baritone solos with solid choral harmonies.
Arranged by William Barks-Dale. African American Church Music Series. Sacred. Octavo. 8 pages. GIA Publications #6318. Published by GIA Publications (GI.G-6318).
UPC: 785147631804. English. Text Source: Negro Spiritual, vs. 1: John Newton, 1725&ndash,1807, first stanza of ",Amazing Grace&rdquo.
This Negro spiritual that says "I've come too far and I can't turn back" is scored for soprano and baritone solos with solid choral harmonies. Choirs love to sing spirituals, and this one will be no exception. Assurance is the theme of this spiritual, expertly arranged for SATB choir with soloists. This piece is easy to learn, and a vigorous, accented performance will convey a sense of determination to the listener. The unison phrases in the final verse, followed by soprano divisi, are an exciting finish to this fine arrangement.
Scored for soprano and baritone solos with solid choral harmonies.
Preview: I Wouldn't Take Nothing for My Journey Now
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